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[WIDE WALLS] Korean artists Park Byung-Hoon and Keun Woo Lee Present Their Work at Jan Kossen Gallery. February 18, 2016. Patina Lee. Runs, does yoga. Convergence of different cultures rarely goes unnoticed, and the outcome is usually something priceless and incomparable. This next exhibition, which will be hosted by JanKossen Contemporary, sounds like a place where this fusion could happen.




The Gallery will showcase works by two artists, Park Byung-Hoon and Keun Woo Lee, who originally come from Korea, but reside in Europe. This allows for their works to be influenced by the Western environment. Their unique interpretation of the traditional landscape is closely related to both the Western culture and their Oriental origins, and what gives the exhibition an even more interesting feel is the fact that it will take place in New York ? so the cultural merging becomes even more complex.




Park Byung-Hoon¡¯s Painted Transparency Park Byung-Hoon uses acrylic surfaces and paint to create a special kind of synthesis when it comes to the forms that interest the artist. Byung-Hoon¡¯s work usually deploys geometric and ethereal shapes that could be compared to the Minimalist style. The simplicity inherited from minimalism provides the spectator with the uncommon opportunity to interpret the piece regardless of any real suggestiveness. The use of glass, whose most obvious quality is transparency of course, helps Byung-Hoon create abstract images that allude to dreams.




Asian Reflections at Jan Kossen Gallery Asian reflections will introduce the global audiences to the sensibility of Korean artists, who are both influenced by their European lives. While their works differ to some extent, naturally, since they are individuals who filter reality in their own ways, they also have some things related to the process of creation in common. Byung-Hoon tends to avoid any kind of control over the paint, he rather observes the medium flow freely. What matters more to him is the material notion of the work itself and the hues created, so he is less concerned with the actuality of form.




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